![]() Which makes her second film, The Royal Hotel, set in her home country of Australia and once again starring Julia Garner, all the more intriguing. You’d be hard-pressed to find a feature debut more bone-chilling and concentrated than writer-director Kitty Green’s 2019 #MeToo chamber drama The Assistant. Shifts in time are prompted by movement and emotion-the feeling of mud between fingers or the release felt from being outside during a storm.” – Jordan R. It’s set to premiere at Sundance this month, and they note “Jackson’s nontraditional narrative borrows from the language of memory. Raven Jackson’s first feature chronicles decades in the life of a Black woman in Mississippi. All Dirt Roads Taste of Salt (Raven Jackson)Ĭonsidering the last directorial debut he backed ended up being our favorite film of the last year, expectations are high for the Barry Jenkins-produced All Dirt Roads Taste of Salt. The trailer is deeply provocative and memorable hopefully the film will deliver on its promise. – Logan K.ĩ4. Infinity Pool, his follow-up starring Alexander Skarsgård and Mia Goth, looks even darker, following a couple at an island resort who are faced with an unimaginable ethical quandary following a tragic accident. 27)īrandon Cronenberg’s previous film Possessor was a visceral, unsettling journey that took elements of his father’s visual sensibilities but channeled them toward something uniquely his own. The Oscar-winning director, primarily known for capturing intimate portraits of sports and entertainment icons-Amy Winehouse and Diego Maradona-has promised this to be an “epic about the state of the world.” For the first time, Kapadia will excavate something other than the past. – Jake K-S.ĩ5. Billed as a documentary thriller set in a dystopia 50 years into the future, 2073 borrows inspiration from Chris Marker’s La Jetée, about a time traveler who attempts to save humanity after an apocalyptic World War III. – Logan K.Īcclaimed documentary filmmaker Asif Kapadia returns with what appears to be his most ambitious feature yet. ![]() At the very least, Vikander is likely to deliver a furious, terrified lead performance. The film is about Katherine Parr (Alicia Vikander), the last wife of notorious ruler Henry VIII (Jude Law), and should hopefully retain the qualities that made Aïnouz’s last narrative feature Invisible Life so compelling. Centered on a young actress dealing with the fallout of a producer’s murder in the 1930s, it has potential to be thrilling and culturally relevant in equal measure. – Logan K.įirebrand, the first English-language feature of underrated Brazilian filmmaker Karim Aïnouz, looks to be a mixture of a classical historical drama and nail-biting thriller. While many of his recent works don’t exceed mediocrity, My Crime has an exciting premise and reunites him with Isabelle Huppert. – David K.įrançois Ozon is an extremely prolific yet infamously inconsistent filmmaker. Mathieu Amalric will drop in for a key role, not unlike John Turturro in 2015’s Mia Madre. This one, translating literally into English as “The Sun of the Future,” will be an ensemble period piece taking place in Rome’s circus world between the 1950s and 1970s, with Italy’s post-neorealist film industry also playing into the story. – Daniel E.Įxpect something alternately whimsical and analytical from Moretti’s latest, coming sooner than usual from a director who tends to take multi-year breaks between features. While the plot, in which Chilean dictator Augusto Pinochet is revealed as a literal bloodsucker, takes extreme turns, the exquisitely composed visuals are from Ed Lachman, who worked with a newly designed monochrome camera to deliver the kind of velvety black-and-white cinematography that hasn’t been seen in years. Politicians are vampires in El Conde, from Jackie and Spencer director Pablo Larraín. ![]() Be sure to check back for updates over the next twelve months (and beyond). Though the majority lack a set release-let alone confirmed festival premiere-most have wrapped production and will likely debut at some point in 2023. We dug deep to chart the 100 films we’re most looking forward to, from debuts to documentaries to the return of some of our most-beloved auteurs, along with a small batch of studio films worth giving attention. distribution, we now venture into the unknown. Having highlighted 30 films we guarantee are worth seeing this year and films we hope get U.S. ![]() With the New Year upon us, it’s time for our annual tradition of looking at the cinematic horizon. ![]()
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